Mandala Magic & Meditation:
a Monthly Online Retreat – May 29th

Thank you for signing up for Mandala Magic & Meditation: a Monthly Online Retreat. 

If you are paying by check or Zelle, please email Meryl Ann to let her know.

There are no pdf downloads for this event, however please feel free to have any of the downloads at hand from any of my previous Mandala or Prismacolor workshops which you may have attended.

This retreat is especially designed for students who have attended at least one of my Prismacolor drawing experiences or had at least one private lesson using Prismacolor pencils.  If you have not yet attended one, consider reviewing one of these self-guided classes:  Artsy Coloring for Fun and Relaxation  or Introduction to Colors Chakras and Healing if you would like to get the most out of this retreat session. Alternatively, you can always schedule a private online lesson with me before the event.

If you know of anyone else who is interested please send them to the registration page here.   

Thank you!

The zoom link is:
https://us02web.zoom.us/j/81785011380?pwd=b3bPRttnXkHrh4yz9PZTpqcx03oyrS.1
Meeting ID: 817 8501 1380
Passcode: 722692

You will receive a reminder with a link to the workshop a day or two before the workshop begins. (If you do not receive it by the day before, or if you have any other questions, please email me with the subject heading “MANDALA MAGIC” to let me know, thanks.

We are going to have so much fun!

Creatively yours,
Meryl Ann

Alma Gallanos Stevenson (1922-2009) studied at the Grand Central School of Art and was Art Director for Colgate-Palmolive. Her primary instructors were Douglas Prizer, Frank Reilly, Edgar Whitney and later, Harold Stevenson. Her award-winning art has been exhibited in the Springfield Museum, The National Academy of Design, the Hammond Museum, Lever House and The National Arts Club. She was a member of the Academic Artists Association, the American Artists Professional League, the Catharine Lorillard Wolfe Art Club, and the Hudson Valley Art Association. Her work is in many collections in the US.